Showing posts with label Woolf. Show all posts
Showing posts with label Woolf. Show all posts

Friday, November 1, 2013

Mr. Ramsay as Seen Through His Children

I am a firm believer that, more often than not, children give the most honest and comprehensive description of people they know. Thus, I find that the best way to truly delve into the fabric of a character lies in dissecting how the children surrounding the character in question indirectly characterize him or her. However, I have found that in looking for his true character through his children and through Lilly, Mr. Ramsay becomes not clearer as a character, but more muddled and confused, such are the contradictory statements which his children give about him.

These contradictory opinions and views become especially clear in the end of the novel, when Mrs. Ramsay is no longer the focus of attention, and isn’t there to buffer the children’s opinions. In the boat on the way to the lighthouse, James thinks that he “kept dreading the moment when he [Mr. Ramsay] would look up and speak sharply to him about something or other” (Woolf 187). The dialectic use of the word “sharp” reinforces the stern nature of Mr. Ramsay; “sharp” in this context could mean that Mr. Ramsay either reproaches James intelligently, with a measure of intellect and high achievement mentally, or with a mean tone, in a way designed to make James feel badly for whatever infraction he made. However, an interesting point about James’s outlook on the possibility of Mr. Ramsay saying something on James’s conduct is that James doesn’t actually do anything to warrant a negative comment. Mr. Ramsay constantly seems to blame James for the slow going of the boat, but, in reality, the wind is to blame for that issue. It seems, that from James’s point of view, Mr. Ramsay is unreasonable and overly critical of situations often outside human control.

On a completely different side of the spectrum, we find Cam’s opinion of Mr. Ramsay. In fact, “she thought... he was not vain, nor a tyrant, and did not wish to make you pity him” (193). This idea directly contradicts most of the opinions of the rest of the novel concerning Mr. Ramsay, and indeed makes a bold statement. Cam, as one of Mr. Ramsay’s youngest children, has only known him as a parent; Mrs. Ramsay died when Cam was not yet seven, so she knew her mother very little. Cam’s statement suggests that Mr. Ramsay, contrary to the stern and military-esque persona James perceives, is rather intellectual and soft as a human. That Mr. Ramsay acts this way to two of his children – both within a year of age – indicates that he must have some secondary feelings towards each of them which would cause him to act differently to each of them.

One very plausible explanation for the distinct disconnect in characterization between James’s and Cam’s ideas of Mr. Ramsay could be explained in their actions towards him, and his reciprocations in action. When James was a young boy, Mr. Ramsay famously said no, they cannot go to the Lighthouse today. In keeping with the norm of the human mind, it became James to only remember the negative of Mr. Ramsay’s actions. Mr. Ramsay didn’t like it when Mrs. Ramsay spoke her mind, Mr. Ramsay didn’t like it when something was done in a fashion he didn’t agree with, and Mr. Ramsay dashed James’s hopes and wouldn’t take them to the Lighthouse. James has a predisposition to only remember the negatives, because so many of his experiences with his father have been rather negative. On the other hand, Cam only remembers good things of her childhood with Mr. Ramsay. She talks extensively about her experiences sitting in the reading room with Mr. Ramsay and Mr. Carmichael, while Mr Carmichael would read The Times and Mr. Ramsay would write in his journal, or read a book. She fondly remembers the sound of the paper turning its page, and when one would make a comment to the other and would start some sort of discussion. Her positive remembrances directly influence the positivity in which she sheds Mr. Ramsay.

In conclusion, it would be wise to say that Mr. Ramsay never actually has his character really fleshed out and discovered, because none of the accounts of his character are from people who can separate their personal interactions with Mr. Ramsay from the man himself. His character is extremely subjective, dependent upon how the other characters feel about certain moments in time, where he happened to factor in. His children’s opinions, then, are of the most importance, because in each child’s different opinion, we see not necessarily how Mr. Ramsay acts as a character, but who the child is as a character.


James is the sad and lonely boy who lost his loving mother, and was left with a bitter, mean man to care for him in her place. Cam is loving, girlish, probably the utmost stereotype of the man-pleasing woman. She remembers her father’s intelligence, how he used to make her feel at peace, and so even when she wants to see something bad, see Mr. Ramsay form James’s point of view, she can’t because the positivity of her own life makes the negativity in James’s viewpoint alien to her. The children’s judgments of Mr. Ramsay are of more use in telling who the child is than who the man behind the judgments is.